Mardi Gras Float, Gas Lit by 2 Boys at night in Mobile, Alabama
Mardi Gras Float, Gas Lit by 2 Boys at Night, 1978
Cibachrome print; printed 1997
24 3/8 x 58 1/4 inches
negative measures: 1.378 x 33.5 in (35 x 850mm)
Seitz Roundshot 21/35 Panoramic, Fujichrome Provia film
360° panoramic continuous image of boys running alongside the float shot with GlobuScope Series 1000 35mm 360° Panoramic Camera, Mobile, Alabama.
White Isinglas, 2012
White Isinglas, 2012
Acrylic, dyes, mixed media on canvas
60 x 60 in (152.4 x 152.4 cm)
Exploring the properties of White Light and reflection. Painted at 508 West 26th Street, Chelsea.
Heparin, 2018
Heparin, 2018
acrylic, dyes on canvas
9 x 9 in (22.9 x 22.9 cm)
Heparin is a medication used before surgery to reduce the risk of blood clots.
White Carnation
White Carnation, 2018
acrylic, dyes on canvas
9 x 9 in (22.9 x 22.9 cm)
Breaking down white light - and the white wall forming a cross as part of the installation. Painted in Gramercy Studio.
There is a crack, a crack in everything That’s how the light gets in....... Leonard Cohen
White Lightening, 2011
White Lightening, 2011
acrylic, dyes, mixed media on canvas
30 x 30 in (76.2 x 76.2 cm)
Initial painting in the series of exploring white light. Painted at 526 West 26th Street, Chelsea.
heART, 1968
heART, 1968
Oil on canvas
36 x 53 in (91.4 x 134.6 cm)
Painted at 210 Centre Street studio, former loft of William S Burroughs.
Easter Egg, 1970
Easter Egg, 1970
Acrylic on canvas
54 x 90 in (137.2 x 228.6 cm)
Large, flat, color field with a controlled brushstroke. Painted at 224 Centre Street, SoHo.
Centre Space, 1970
Centre Space, 1970
Acrylic on canvas
32 x 44 in (81.3 x 111.8 cm)
The beginnings of scrubbing paint and flat shape overlays. Painted at 210 Centre Street, SoHo.
Puerto Rican Rain Forest, 1972
Puerto Rican Rain Forest, 1972
Acrylic, graphite on canvas
90 x 50 in (228.6 x 127 cm)
A door series painting done after my trip to Puerto Rico and spending time in the mysterious rain forest. Painted at 133 Mercer Street, SoHo.
Hot & Humid, 1972
Hot & Humid, 1972
Acrylic, graphite on canvas
87 x 42 in (221 x 106.7 cm)
Door Series based on Chinese brush strokes and sparks of light. Painted at 133 Mercer Street, SoHo.
Hallo, 1974
Hallo, 1974
Acrylic, graphite on canvas
89 x 50 in (226.1 x 127 cm)
Door Series based on Chinese brush strokes and sparks of light. Painted at 133 Mercer Street, SoHo.
Verte, 1974
Verte, 1974
Acrylic, graphite on canvas
39 x 61 in (99.1 x 154.9 cm)
Washing and scrubbing pigment into gessoed canvas with sparks of light. Painted at 452 Berry Street, Williamsburg.
Radioactive Mud, 1975
Radioactive Mud, 1975
Acrylic, graphite on canvas
40 x 89 in (101.6 x 226.1 cm)
The painting’s done on the floor - spots of color with sparks of light. Painted at 452 Berry Street, Williamsburg.
Harlequin, 1995
Harlequin, 1995
Oil on canvas
20 x 24 in (50.8 x 61 cm)
Oils on starter smaller canvas and composition. Painted at 195 Hudson Street, Tribeca.
Self Portrait Unfinished, 1995
Self Portrait Unfinished, 1995
Acrylic on canvas
78 x 45 in (198.12 x 114.3 cm)
Unique self portrait from a reflection. Painted at 195 Hudson Street, Tribeca.
Parfume, 1974
Parfume, 1974
dyes, pigments, gesso, acrilic on canvas
Back panel: 39 x 89 in (99.1 x 226.1 cm)
Front: 44 x 44 in (111.8 x 111.8 cm)
Experimenting with my "leaner series" - taking the paintings off the wall. Painted at 452 Berry Street studio, Williamsburg.
World Trade Center in Mud, 1978
World Trade Center in Mud, 1975
Cibachrome; laminated behind plexi-glass, printed 2008
60 x 40 inches
Camera: Nikon F3 35mm SLR, Fujichrome Provia film
Taken from my bicycle on what became the West Side Highway - with a 35mm camera. Exhibited as a floor piece.